Showing posts with label guitar effects. Show all posts
Showing posts with label guitar effects. Show all posts

11/17/2012

Line 6 Guitar Port XT USB Guitar Interface Review

Line 6 Guitar Port XT USB Guitar Interface
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I purchased the Guitar Port XT to try to eliminate a lot of the pedals I have in my set up while also getting a few more effects that I do not have. That was kind of a hit and miss affair. The effects built in are good. They are also highly tweekable so you can get just about any sound you want. You can't change effects on the fly, so you'd still need rack effects to accomplish that. But, for most of my purposes, I just need a distortion or overdrive attached after the line out along with a wah, envelope filer, and maybe a flanger (since there isn't one in the software).
As far as the software is concerned, it's OK but not wonderful. It's a bit of a chore to set up your own sound and even to find a preset. The former should be a chore, but the latter is a bit of a disappointment. It needs more settings available from the downloads, maybe even setting downloadable from a community blog. There may be one, but I don't know about it. I've been cheating and I've been going to Boss's website to look up other effect settings, though a lot of the effect settings there are similar to the ones in the software.
Bottom line is that it's worth the $100. If you can drag a computer to your gig and don't change effects much, this will do an admirable job. It's an interesting an fun tool if not a little limited.

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11/11/2012

Boss FV-500H Mono Volume Pedal Review

Boss FV-500H Mono Volume Pedal
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I'll keep this short. This pedal is sturdy, has tuner out and volume control. Also, you can adjust the pedal resistance to your own liking!!! Major bonus for live play as I hated my last touchy Fender volume pedal as it was too lose and just touching it caused big volume swings.
Haven't done these reviews much, but the vendor was cool, fast ship and the lowest price on the Web.
Sound is great, no tone suck...............I'm a pedal and amp geek and know the differences and this is great. Only draw back is the size, much like the full sized EB pedal, but very sturdy!
Cheers!

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10/07/2012

LR Baggs Venue DI Direct Box Review

LR Baggs Venue DI Direct Box
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I would have given this product five stars if the tuner stomp function was 100% reliable, which it isn't.
Otherwise, Baggs has created a great update to it's classic Para-Acoustic D.I.
I love the easily accessible knobs, in contrast to the Para's harder to reach (especially the gain control) knobs. However, the Venue does have one out-of-reach knob, and that is the adjuster for the 0-9db boost "stomp" function, which is a great feature on this pedal and one I use frequently during performance. I just wish I could adjust the db setting more easily; it's the one knob that is hard to access. Bummer.
The tuner issue I mentioned is the following: about 15% of the time (which is way too often), when I stomp the mute/tuner switch, the signal indeed mutes, but the tuner does not light up and engage. I have to stomp and re-stomp several times to activate the tuner when this occurs. Lame and annoying onstage.
Overall tone of the Venue is meaty and strong -- as good if not better than what I had with the Para, which I used for years before acquiring the Venue. I am happy with this product, but I really could use a stomp tuner that activates when it's stomped, 100% of the time.

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10/04/2012

Line 6 FBV-Express Review

Line 6 FBV-Express
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I bought this for my Spider III 75, it helps a great deal. It works the second you plug it in, but the manual provides instructions for calibrating the volume pedal, which only takes about 30 sec (20 to figure out how, then 10 to do it lol). As far as the manual is concerned... its quite breif... its big only cuz its in like 12 different languages... but honesly, this device has all the instruction you need printed on it. Also, forgot the mention that the cable provided is 20ft long!
The one thing i was a little dissappointed with when i got it was that the wah funtion of the pedal seemed to be a little chunky... like there were only 3 or 4 degrees of tone i could get out of it. I passed it off as "Well i supposes if i want a good wah sound im going to have to get a seperate pedal". But the other day i noticed my pedal was getting kinda stiff and was squeaking, so i popped of the bottom panel and sprayed some WD-40 on the hinge for the pedal... Eureka! Not only did it fix the squeaking, but my wah sound is much fuller and satisfying.
UPDATE: I have had a couple of the LEDs for the tuner go out on me. The ones that do go out aren't 100% dead. Seems that some of the time they will light up. If you prefer specifics... my LED just sharp of In-tune is out about 90% of the time, the one just sharp of that one goes about about 1% of the time. It's annoying, and mildly dissappointing but I manage to deal with it provided the LED for In-Tune doesnt start going out regularly. I haven't bothered to see if this is mearly something a little soldering could fix or if the LED itself is actually dead now. At any rate it's not a huge concern as the Tuner display on the amp itself still works. But i should add that despite the short amount of time i have had this pedal (~8 months) it's had it's fair share of knocks, kicks and slaps. I chalk that up to unavoidable wear and tear, but its worth noting.
Another thing i should mention is to make sure you keep it clean. The electronics inside aren't 100% sealed from the outside. Dust and hair does accumulate inside and I found out the hard way that it will eventually start screwing with the circuitry inside and make the wah/volume pedal do some undesirable things. It's a quick and simple fix though, just open it up, blow out the dirt and close it back up.
If Amazon would allow it, I would probably change my rating to 4/5. But that would be a 4 with a 'Well yeah, I personally experienced some minor drawbacks. But yours could be perfectly fine!' I also feel i should say something about the cable (as someone else as pointed out it's very similar to most ethernet cables) as i have my own gripe with it. The connections for the cable have that little plastic tab that locks the cable in place and as is standard these days, the cable has a sleeve that protects this tab from breaking off. Now, when you plug this cable into the amp, the depression for the connection is quite tight and actually makes it rather difficult to push the tab down through the sleeve to disconnect the cable. I found myself snipping off the part of the sleeve that protects the tab just so it was easier to disconnect the cable.
So yeah. On a level of functionality and convinience its well above par. But on a technical level, its not without its faults. But they can certainly be overcome with a little effort.

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10/03/2012

DigiTech RP50 Digital Amp Modeling Effect Unit Review

DigiTech RP50 Digital Amp Modeling Effect Unit
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Digitech's RP-50 is a reasonably priced multi-effects unit tiny enough to take up very little space on a shelf or in a gig bag. It will provide more than enough bang for the buck for most guitar hobbyists. It contains multiple flanging, delay, chorus, autowah, and distortion effects. These go beyond the "bread and butter" stock sounds that many Korg and Zoom boxes provide, giving us truly useful and musical sounds. I'm particularly impressed with the various amplifier simulations; there are some beautiful clean Fender and Voxlike sounds hidden in here. There's also a gorgeous acoustic simulation that will strongly evoke a piezo pickup if you play without distortion. I'm also happy that the presets aren't oversaturated nonsense but actually highlight the varied sonic qualities of this multieffects package. Furthermore, the RP-50 can be used as both a headphone amplifier (perfect for when you don't want to wake up the house) and a direct input for recording. I've used the RP-50 for a lot of home recording since 2003, and the sound quality is very, very impressive even when plugged directly into my computer. In fact, I prefer the RP-50 for that use instead of using it to replace a pedal board. There's also an excellent tuner that's easier to use than some other pedal-based tuners I've tried.
Is this as good as more expensive models? Customization is, unfortunately, limited. Since you can't totally control all the parameters of each effect, exact synchronization of delays (for example) is impossible. The onboard EQ is limited to "Lows," "Mids," and "Highs" making it almost impossible to dial in nontraditional tones. There's a great-sounding drum machine included which (you guessed it) can't be reprogrammed. You can select a different drum pattern and choose a different speed, but that's it. You can't create your own patterns, and the drum speed isn't given to you in beats per minute (BPM). The selection pedals are very small and I would worry about stomping on them too hard on stage.
I've used the RP-50 since May 2003 and have never once had a problem with it. It's a valuable practice tool, sounds great, and is a terrific value. I'd buy it again if I had the chance!

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10/02/2012

Line 6 Pocket POD Pack Review

Line 6  Pocket POD Pack
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This product is amazing to use and for ANY guitar player of ANY level this is an extremely awesome tool at your disposal.With the built in tuner you can go jam with someone and never forget your tuner.With the ability to download additional guitar sounds you can sound like anything as well as make the sound or tailor it to your liking.This pedal also has a nice gate built into it to reduce hum and noise.I have even played my acoustic through it and was blown away by the way it sounds.Want some Eddie Van Halen? You dont even have to eat your shreddies for breakfast.....your already ready to go there after a small download and drag and drop you open the program after connecting the pocket POD via usb and update the presets and your ready to shred.
I love this product so much I am looking for the larger POD to buy and use as well.Line 6 is awesome.

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9/27/2012

Boss PCS-20A PARALLEL DC CORD Review

Boss PCS-20A PARALLEL DC CORD
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Be careful not to lose te little plastic covers for any unused ends, or you will have a lot of static.....

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9/10/2012

BOSS ME50 Guitar Multiple Effects Pedalboard Review

BOSS ME50 Guitar Multiple Effects Pedalboard
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Got this unit and compared side-by-side with Line 6's Floor POD Plus for use through the PA system at my church. I was woried that the Amp Modeling function would not be very good, but I was pleasantly wrong. The line-out function into the house PA provides excellent sound. The amp-modeling is transparent to the user, and you can focus on your effects while the ME-50 manages the amp modeling to automatically give a good sound.
The metal housing and heavy duty knobs were also far superior to the Line 6 Unit. In fairness, this unit costs more than the Line 6.

Only downside is that you cannot switch thru the 10 saved sound banks with your foot, so you can only have 3 pedal settings plus whatever has been manually set for 4 settings during a song. Conversely the Line 6 provides extra pedals to allow switching sound banks on the fly. This is a minor issue for me, however, since I only use a few saved settings.

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9/02/2012

Line 6 M13 Stompbox Modeler Review

Line 6 M13 Stompbox Modeler
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The M13 is an outstanding piece of gear. I've never really loved Line 6's amp/cab modeling stuff. I had the HD147 and liked it for a couple years. But I could never get the tone I wanted. Then I bought a tube amp. A Crate Palomino V32. But lost all the versatility with effects. So then I bought the POD X3L. It had no depth and took all the character out of the amp. So I went the all pedal route. Boss DD-20, L6 Verbzilla, Seymour Duncan Twin Tube Classic overdrive pedal. Blackstar HT-Dual OD/Dist, etc. I was really happy!!
Then I saw the M13. I was totally floored by how many different effects that were in there and the versatility of routing the "pedals" in order of one another. ITS SO VERSATILE!! The effect quality is right up there with their 4 button stomps (DL4, MM4, DM4, and FM4) after all it was designed to encompass all of those pedals into one package that has a footprint that is just a couple inches bigger than 2 of the 4 button stomps.
The tone of my amp stays the same, and I have all of the delays, reverbs, mods that I could ever use!! You can still use any of your analog pedals (I still have my Blackstar) because there is an onboard effects loop and you can route your existing effects before, after, or anywhere in the middle of the M13. Its incredible!!
I'm so happy I bought this pedal, and it was worth every single penny!! Try one out for yourself and you'll be pleasantly surprised with it!! If you don't like Line 6 gear because you're a tube junkie, forget all of what you thought you knew about Line 6 and try this pedal as soon as you can. I think Line 6 may have taken a new turn with their products and this is definitely an awesome new direction for the company. This pedal rocks!!!

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The Essential all-in-one pedal board experience, Line 6 M13 Stompbox Modeler! Featuring a comprehensive collection of the most sought-after stompbox sounds, a full-featured looper and super-heavy-duty all-metal construction, without complicated menus or presets. Line 6 M13 Stompbox Modeler channels the soul and ease of a stompbox. Free Version 2.0 Update from Line6.com! Providing Additional Models, Presets and Features! Version 2.0 The M13 Stompbox modeler with Version 2.0 Update has extra models and features to make your M13 rock even harder. Over 20 new FX Models, including Smart Harmony, Pitch Glide, 6 Mod FX, Bass Octaver, 5 EQs and 8 Wah Models 4 folders of 12 scenes each (total of 48 scenes) Also accessible via Midi Copy from Scene to Scene M13 only. Control the Looper via midi without the M13 going into looper mode Dim OFF Models added with Version 2.0 Bass Octaver 5 EQs and 8 Wahs Smart Harmony Pitch Glide Particle Verb - Line 6 original Pattern Tremolo Script Phaser AC Flanger Bucket Brigade chip modeled 80A Flanger same Frequency Shifter Line 6 original Important Information: Version 2.0 update can be downloaded at line6.com Boasting over 75 immortal stompbox effect

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8/26/2012

DigiTech BP200 Bass Multi-Effects Processor with Expression Pedal Review

DigiTech BP200 Bass Multi-Effects Processor with Expression Pedal
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Within it's class and price range, I'm giving it a five.
You'll end up paying a good 500-600$ to find anything better.
This has to be the quietest multi-fx I've ever used. Even the fuzz-wah doesn't give background hiss cranked up on my system. Except the buttons, it's all metal and pretty solid.
You can't edit effect parameters with the computer.
The pedal distance is pretty short and there's almost no resistance to it.
As has been said elsewhere, the fretless has quite a lag to it. Not useless, just a lag to get used to.
For the money, no hiss, metal body, a good selection of flavors, basic (and effortless to get going) drums and a pedal that can be assigned to about every parameter I can find.
It's the best unit in this price range, period.

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8/25/2012

Line 6 POD HD 400 Review

Line 6 POD HD 400
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I just got this pedaleboard to replace my POD xt live. The packaging was good and got it the next day with amazon prime
So far I tried the factory presets and made a few of my own.
First of all, HD modeling is a great upgrade from previous pods, it does sound diferent, I'm not and audio tech or anything like that, it really feels very close the real thing.
With this one you get fewer amp modeling, but they are 16 greatly modeled amps, and you can tweak every aspect of it to make it sound how you want.
I like the fact that now with line 6 edit you can tweak the signal, you can use pre or post effect and the GUI from the new version is really intuitive.
The advantage of the 400 is that you have the bank selector and is to my opinion less confusing than the 500.
This is really an improvement I really like the new tone, the distrotion for metal are great, and lots of weird sound effects if you're more into experimental stuff
The only thing I would complain about is: 1. You have to download the manual from the line 6 page
2. It doesn't have an off switch (that's not a bad thing its just I don't like to be pluging every time I want to use it)
Is this better than the 300?? no, Tone is the same, just a few more effects, but I like to have the bank selector separate front the other switches.
Is this worth it or should I get the 500? A friend has the 500 and I got really confused making the tones, with so much stuff you can do, you have to be really patient and organized in order to get the tone you want, with 400 is just tweaking a few of the knobs and that's it ready to rock. If you just want play music with good tone and no spend time tweaking stuff the 400 is for you and you save yourself some money.
Ask me for a video review and I will gladly post it =)


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HD amp modeling: sound and feel like never beforeHD amp models defy the accepted standard. They feel, behave, and interact with previously unachievable realism.Creating these new HD amp models was no small feat. Line 6 mixed 15 years of amp modeling experience with 3 years of new research and development to build an entirely new amp modeling technology from the ground up.During that time, they hunted down 16 incredible amplifiers andwith the help of LAs top tube amp expertsrestored each one back to peak condition. The new modeling technology uses 10-times more amplifier information than before, including single-ended class A tube stages, class AB push/pull interactions, power supply behavior, and more. The result is unprecedented, warmth, feel, sustain, and articulation for you to fall in love with.Tube amp fanatics have long enthused that their favorite stacks and combos arent merely amps, but instruments themselves, with playability equal to that of the guitar plugged into them. New HD modeling takes the POD HD experience to that same exalted level, capturing the genuine playability that great guitarists demand. Your amp collectionnow in HD!On the menu is a collection of freshly modeled amps, many of which are brand-new to POD, and all of which are essential for performing guitarists who require a wide variety of tones in one streamlined, multi-FX-sized package. POD HD400 includes 16 HD amp models based on* Fender Twin ReverbHiwatt Custom 100 (DR103) Supro S6616Gibson EH-185Fender BassmanFender Blackface Deluxe ReverbDivided by 13 JRT 9/15Dr. Z Route 66Vox AC-15Vox AC-30 (Top Boost)Marshall JTM-45 MkIIPark 75Marshall JCM-800 (2204)Bogner UberschallMesa/Boogie Dual RectifierENGL Fireball 100*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Li...

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8/21/2012

Zoom A2 Acoustic Guitar Multi Effects Pedal Review

Zoom A2 Acoustic Guitar Multi Effects Pedal
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I was very skeptical ordering this product because I bought the Zoom electric processor & was not impressed. However I must say I am totally blown away by how well this unit works out of the box. Most of these processors are packed full of over-done processed sounds that needs lots of tweaking so you don't sound like you're playing in outer space. Two days after I got this unit & less than an hour playing & barely having to fiddle around with it I was jamming live in front of 500 people that weekend, and at least 5 of the factory settings were usable without any tweaking at all! It was like my acoustic guitar, only better, sweeter & more vibrant sounding. Not overdone, not too spacey nor too much reverb, just a little more color & better EQ & sound quality. I got several comments from my band members about how good the acoustic guitar sounded.
The unit has some cool modeling features so you can have your guitar sound like the standard Martin D-28 or Gibson dreadnought & others. What I also really like about this unit is it has REVERB, EQ, CHORUS, DELAY, MODELING, PICKUP SELECTION, AND VERY IMPORTANT: a COMPRESSOR! This is a must for live performances, compression smooths out your sound. Many of the other more expensive acoustic processors make the terrible mistake of leaving off either reverb or a compressor.
You could spend more month but I doubt you'd get a better unit? Forget the Zoom electric processor & definitely get this one for your acoustic, its a great unit.
One bad thing--these things eat batteries (if you leave them plugged in with the cords). I was surprised it sucked a fresh set of batteries dead in one weekend with only about a couple hours of playing time, apparently because I left the guitar cable plugged in overnight. But unit does come with an AC adapter. I dont have need for a volume pedal so I skipped the more expensive version, although that unit does come with a XLR (mic cable) jack which eliminates the need for a Direct Box on stage (necessary for maintaining the signal over long cable runs)
Enjoy, thanks for reading.

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Zoom's A2 processes the line signal from your acoustic guitar pickup, adding the tone and space normally associated with mic recording. Even if you're playing through an amp or PA, your guitar's natural resonance will shine through. It will also model famous acoustic sounds, and features EQ and effects for getting exactly what you're after.

96kHz sampling brings out the true nature of acoustic guitar sound The rich, detailed tone of an acoustic guitar is created by a delicate triple harmony of strings, neck, and body. But a piezo or magnetic pickup never captures the full body resonance, often resulting in thin sound dominated by the strings. This tendency can't be fully compensated with a conventional preamp equalizer.
The A2 series incorporates 24-bit / 96 kHz sampling and sophisticated sound modeling technology to process the line signal from the pickup, adding a lush body tone and the spatial ambience that is created by mic recording. Even when playing through an amplifier or PA speaker, the resonance of the guitar body is restored, allowing the natural acoustic sound to shine through.
The new ZOOM ZFX-3 32-bit DSP chip The heart of any multi-effect device is its processor and decoder section. ZOOM has attained a new level with the ZFX-3 chip. 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Fine nuances of fingering and touch come through without any deterioration, thanks to this incredibly powerful DSP.
Select optimum characteristics to match pickup and amp model The GLOBAL module that controls settings for the entire unit combines a pair of parameters called AMP SELECT and PICKUP SELECT. These let you optimize frequency response for the type of pickup and amp that you are using. Whether recording or live on stage, you can always get just the right acoustic sound.
Six-band linear equalizer or two-band parametric equalizer provide ambience control Center frequency allocation and filter slopes of the built-in six-band EQ are optimized for acoustic guitar. Peaking type filters in the crucial middle range (320Hz, 500Hz, 1.2kHz, 6.3kHz) are augmented by shelving-type filters at the low and high end (60Hz and 12kHz). Further flexibility is offered by the possibility to switch to a two-band parametric EQ, for delivering a pin-point boost or cut. The A2 series lets you really take control.
Feedback control feature When playing an acoustic guitar on stage, acoustic feedback (howling) is often a problem--but now there is a remedy. The feedback control feature allows automatic or manual detection of the constantly changing feedback point, and an effective notch filter is then brought into action to provide the required attenuation. Auto detection can be triggered with the foot switch to allow swift reaction during a performance.
47 high-quality effects implemented with 32-bit processing Eight modules dedicated to aspects such as dynamics, filtering, modulation, and ambience offer a total of 47 effects. A limiter/compressor lets you control peaks and ensure that levels are matched. The air effect simulates the ambience in a room, the detune effect adds pitch-shifted harmony components for that fleeting 12-string guitar sound. Or emphasize a specific frequency range with the resonator. All of these effects are optimized for acoustic guitar and can be put to use right away. Other features include multi-tap delay and long delay with settings up to 5000ms, reverse delay, flanger, phaser, and various other studio-class effects.
Add body and depth with 3 types of chorus Add just the right amount of body and depth to the sound when you need it. The choice is yours: warm and mild mono chorus, clear and transparent stereo chorus, expansive and three-dimensional chorus ensemble, and more.
Enhance your acoustic sound with 9 types of reverb The A2 has nine types of reverb designed specifically for acoustic guitar including Hall, Room, Arena, Tiled Room. Many guitarists will also be familiar with Spring Reverb. The A2 also features a reverb setting called "Early Reflections" and a Slap Reverb that is a first for this class. Each reverb setting is fully adjustable so the user can make each phrase more distinct.
12 acoustic guitar/preamp sound character simulations A simulation module lets you choose among a number of very famous and popular acoustic guitar tones. The different sonic characteristics that depend on body size and shape as well as on the materials used are faithfully reproduced. What's more, a mic module simulates the sound of guitar as recorded through a microphone, with selectable positioning and mic type (dynamic / condenser).
Analog style editing knobs make it a snap to create your very own sound The three rotary knobs let you tailor three different parameters at the same time. This could be sensitivity, attack, and level for the compressor effect, or delay time, feedback, and mixing level for the delay effect. It's like having an array of stomp boxes ready for action. In play mode, the three knobs adjust the modulation effect mix level, delay/reverb mix level, and the patch level. This lets you quickly match the unit's performance to the band or the room acoustics.
40 ready to use preset patches for stage and studio The unit comes preprogrammed with recommended settings for various acoustic guitar models, settings that are modeled on the signature sound of famous guitarists, rich ambience settings using chorus and reverb, and more. Plus, a user area capable of storing another 40 patches gives you plenty of creative leeway.
World's fastest patch change speed: 8ms The annoying interval heard when switching patches on standard effects pedals has been virtually eliminated. With its record-setting speed of 0.008 seconds, the A2 series never misses a beat. For example, when changing to a lead solo during a song, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445Hz, and mute tuning without sound output is also possible. Tuning has never been easier or more convenient.
ZNR keeps playing pauses quiet The built-in ZOOM Noise Reduction (ZNR) provides optimized performance for guitar. While minimizing any alteration of the original sound, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, and many more choices.
Optional foot switch allows versatile remote operation When the optional foot switch (FS01) is connected, tap tempo input of settings such as delay time and modulation rate is possible. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Ultra low noise design with 100 dB S/N ratio With an amazing rated signal-to-noise ratio of 100dB, background noise ceases to be a problem, leaving only superbly clean, transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the A2 series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adapter (AD-0006) can be plugged in for extended studio work, but on stage you never need to worry about AC power.
Expression pedal adds further versatility to your guitar play The optional expression pedal (FP02) is a great way to control effect parameters in real time. Besides adjusting the volume or the tone of a simulation effect, the pedal can be used for manual detection of feedback frequency, controlling the modulation rate, or adjusting the delay/reverb mix level.
What's in the Box Zoom A2 Multi Effects Pedal, AC Adapter, User's Manual

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8/15/2012

ToadWorks True-Bypass ® Looper Effect Pedal Review

ToadWorks True-Bypass ® Looper Effect Pedal
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I have recently bought a Roland GR-1 Guitar Synth. If you like guitar synths, it's awesome. I liked putting effects like delay and phaser on top of the sounds the synth could create. I tried setting up the synth to be like another effect in the chain, but one problem... NO TRUE BYPASS! In fact, the thing sucked so much tone that it made even the best sounding guitars sound like garbage. So I decided to look for a way around this. First, I was looking at ABY switchers, but nothing seemed to do what I wanted to do. Then, after coming across it in a Google search, I found that a true bypass pedal would probably be my best bet.
After doing some research, I figured that this ToadWorks pedal was my best bet. Good price. The specs seemed right. So I ordered it and it came in the mail today. I set it up and it works like a charm. It's pretty self-explanatory. Your "In" and "Out" jacks are your guitar's signal. "Send" and "Return" are for the pedal you want to true-bypass. The switch turns the effect on or off and the LED indicates such.
There's probably a million other pedals that can do something similar but if all you want to do is make a single effect pedal true-bypass when it's not, this is the best that money can buy. Plus, as far as I know, ToadWorks is a smaller company, and I'm all for supporting smaller companies!

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8/13/2012

DigiTech VL3G Vocalist Live 3 Harmony and Pitch Correction Pedal Review

DigiTech VL3G Vocalist Live 3 Harmony and Pitch Correction Pedal
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I could have had a career! Singers who don't show up to gigs! The hours wasted trying to teach a drummer to sing harmony! No more. Very simple, just plug it in and be prepared for Shock-n-Awe vocal harmonies to back you up.

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8/08/2012

Vox ToneLab ST Guitar Multi-Effects Processor Pedal Review

Vox ToneLab ST Guitar Multi-Effects Processor Pedal
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I A/B'd this extensively with the POD X3 before purchasing it. I went with this because it gave a much more convincing emulation of a tube amp, particularly played clean. It just had a body and sparkle to the sound I could never get out of the POD. The problem, I have discovered over time, is that it acts like a single-channel amp that is not easily switchable between a good clean sound and a good overdriven sound at anywhere near the same volume. This is because it only sounds really good with the master volume cranked all the way up. With the master volume all the way up, a good low-gain sound is going to be way quieter than a good high-gain sound. This can be compensated for with the power level knob on the back of the unit, but this knob is not programmable, making it impossible to switch directly between clean and overdriven without a huge volume jump - you'd have to adjust the power level knob every time, or live with an anemic overdriven sound if you lower the master volume. The built-in distortion/overdrive effects are not tweakable enough to really make up for this, either. Also, its capabilities as an audio/recording interface are minimal compared to the POD. So, in summary: much better tube amp emulation than the POD, but only within a very particular range of adjustability, making it a cool practice tool but not really practical for live performance.

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7/21/2012

Morpheus DropTune Octave Guitar Effects Pedal Review

Morpheus DropTune Octave Guitar Effects Pedal
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I will admit to not being the most proficient at playing guitar, but I like to "try" and sound like a song if I am learning it via tab or by ear. One thing that has always gotten me is the fact that I just am used to standard tuning or drop D tuning, being that those are the easiest. So what about the Morpheus? Well, I also own a Digitech Whammy Pedal, so I understand taking one string and knocking it down, but the Morpheus Droptune allows for all the strings (at once) to play.
What does all this mean?
Okay, say you like Black Sabbath, Slayer or Slipknot, they all tune down at some point in time, so how to do this, especially if you don't want to spend time re-tuning after you get bored trying to play someone else's sound? Well, as soon as you turn it on, it is a half step down, strum a chord, yep, it's a half step down..then hit the "down" button on the left...yep, down another half step, all the way to three and a half steps. Of course the metal guys drop D, then tune down, so go ahead, do that...you sound like your favorite band. Now the pedal is actually a "cheat"...should you learn to do your own tunings, of course you should. Should you, with a whammy bar, learn how to adjust your guitar? Yes you should...but after years and years of playing and not getting much fulfillment from my lack of "sounding" like the song that I am trying to play, this helped get me in tune right away.
Of course you still have to have a decent ear, make sure your original tuning is good, because I believe my salesperson a Woodwind and Brasswind said this creates polyphonic pitch drops, which looking down at my pedal right now, indeed it says that. Just imagine if something is out of tune without effect, generally from my experience, the sounds don't get better with effects, unless distortion is involved. But you'll still sound terrible if you don't know how to tune your guitar right, sounds really basic, but after seeing that there are guitars with robot tuners out there, I'm pretty sure the art of tuning your own guitar will be gone in a decade too. So just tune clean, no effect on, then turn on the effect.
There is a cool middle button that allows for you to go up a half step while the effect is on, kinda cool, but really just for effect...if you want to build a riff around that, cool, but I believe Tom Morello already did that. Also once the effect is on, you can only go down on the pedal, so this could be an issue for an active on stage guitarist, but I doubt that you'll be kicking your own effects, that is more likely going to be your klutzy singer.
I will recommend this to anyone at all that amplifies their guitar, clean or distorted, but accept the fact that on the clean sounds, you'll get more of an odd sound (slight warble, but it does exist if your are going to tune three steps down....it really does go three steps and a half down. I know...shocking) What I might suggest is learning how to feel comfortable with tuning down a half or whole step on your guitar, then setting the pedal to two whole steps down, I believe your sound will not be degraded on the clean effect.Mine was worth every penny and when I did combine it with my whammy pedal, I was able to create some wicked tones through a line-6 spider III. My "rig" isn't something to "behold" for those with the bucks or the drive to spend every last dollar on guitar related equipment, so if it sounds nice/great on my rig, I can only imagine what it will sound like on a really nice set up. (Not dissing my own stuff, but I do know that there are a lot of people out there with more in-depth set-ups) Buy it...or at least try it out.

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