8/20/2012

Fender Standard Stratocaster HSS Electric Guitar Candy Apple Red Maple Fingerboard Review

Fender Standard Stratocaster HSS Electric Guitar Candy Apple Red Maple Fingerboard
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I did what would make most musicians cringe... I bought a new guitar online, sight unseen, no testing, no trying. The only reason I did was because of Fender's reputation, not only for the main Fender brand, but also their careful attention to the Stratocaster brand. I was not disappointed! The guitar is beautiful! The red and white body looks stunning with the maple neck. The paint job and finish are flawless and arrived well protected with peel-off plastic pieces and a micro-foam covering. Everyone who picks it up loves it, not only for the look but also the feel and the sound. The action is good (not too high, not too low) and when paired with my Fender Mustang amp, this guitar sounds like a gem. The HSS configuration is perfect... I can't think of a reason why someone would go with fewer pickups. You can always turn off some of the pickups for different sounds, but if you don't have them in the first place then you don't have the option to get the full range of sound that they provide. Definitely get the HSS, you won't regret it! This has been a wonderful addition to the home for family and friends and is everything that the Stratocaster name is supposed to represent... beauty, quality, tradition, and terrific sound.

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8/19/2012

Carl Martin Quattro Multi Effects Pedal Review

Carl Martin Quattro Multi Effects Pedal
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Having had such good experiences with other CM products, I thought I'd give this a try. Glad I did!
It has the same quality of Carl Martin pedals, but without any frills. Start with the compressor...
I have used the four-knob CM compressor for decades without a problem, and for mission-critical studio work, I prefer the extra control those two extra knobs provide. In live situations, that is usually not necessary. This compressor has the same transparency as CM's other models, but is easier to use. You have only to adjust amount of compression and the level.
Drives: These are simple versions of the Rock-drive circuit; at least that's how they sound to me. Again, they have simpler & fewer controls but most of the same great character that the famous Plexi-Drive and Rock drive units have. You get your choice of two, so I generally set one for just a bit of crunch and the other for high-gain soloing.
Chorus: This and the old analog TC chorus are the best sounding choruses ever. The advantage of using a dedicated chorus in a separate pedal is merely that if it breaks down, you don't lose your whole sound. Otherwise, this gives you 100% of the lush quality sound and 80% of the control. SInce I have never had any problems with any of my CM products, I see that as a very small advantage. Therefore, the multiple advantages of simplicity, easy set-up and fast adjustment outweigh OCD tweaking capability.
Delay: This does everything we typically need except ducking-delay, but you can achieve nearly the same effect as ducking by rolling back the tone knob. When you reduce the high-frequency content of the delay, it seems to disappear into the mix except for rests and quiet passages, just like a ducking delay.
Turn the tone knob up, and the delay sound becomes crystal-clear, like a digital delay but without any digital harshness or aliasing artifacts. Analog delays of this quality used to cost several hundred dollars by themselves. The tap tempo allows you to set delay-time instantly.
Although I wouldn't recommend it if you are drunk on stage, it is quite easy to adjust the chicken-head knobs with your foot. Assuming you are not clumsy, That means you can adjust this thing on-the-fly during solos or before tunes in seconds.
The manual is easy too, but this is so intuitive you don't need it at all. Just plug it in and play. Assuming you already have a good guitar, know how to play and use a good amp, you will get high production-value tone in seconds. It's almost impossible to make this thing sound bad.
I like this because it does 90% of what my fancy rack system does, but it fits inside the back of a twin reverb amp. With the amp on wheels, I can roll into any gig with a single guitar and cover almost any pop-rock-country-blues or Jazz sound.
Price: I'll let you do the math. True, you can get all these effects and more in cheaper units, but you won't get Carl Martin boutique quality, low-noise, transparency and analog response. Since most individual pedals of this quality cost over $200, getting four simplified pedals in one unit is a bargain. The only difference is you have to spring for the whole shebang at once. Personally, I prefer that method. I have found time-and time again, it is always easier better and ultimately less expensive to get the good tools from the start.
It is a lot of fun to experiment with new pedals or arcane sound effects. The cost of individual pedals is usually not prohibitive even for boutique stuff. Over time, the main effects we always rely upon are those included with this unit.
If you want to add a special "pet" pedal of yours, no problem. This has effect send and returns. So if you absolutely need a tremolo or other gimmick for certain tunes, this will accommodate those with no hassle. Recently, I had to include tremolo for a gig where we did some old CCR. I used the Boss / Fender deluxe reverb pedal which has the tremolo effect. The signal path is 1 MegOhm resistance and buffered, so any other pro-pedal will respond very nicely. It's just like using a buffered effects loop in a pro amp. You can add fancy reverbs or wahs the same way.
Is this the most sophisticated and versatile system? No. I don't care. It sounds great and is easy to use. If I need some extra gizmo for certain tunes, I'll just add them as needed. In the studio, I let the engineer add stuff in post. Most of the time with this beauty, you don't need anything else.
The case is all steel and pretty heavy gage, although the unit is light. That's another advantage of putting everything together in one unit. You are wasting less metal and real-estate because you enclose the whole thing in one unit. That saves money on cables and prevents a failure mechanism too.
The only down-side I see with this is if you ( or some drunk ) destroys it with heavy footwork or some other stupidity, you are SOL. Since I don't allow drunks to step on my stuff and am pretty careful, I have had no problems. In the studio, I put this on the desk and adjust everything by hand. The rest of the time it stays safely in the back of the Twin, so with that gentle treatment, I doubt it will die soon.
Believe me, I have used the most complex racks, pedal board systems and high-end studio gear imaginable. The simplicity and superb analog tone of this are hard to equal and almost impossible to beat. I would not recommend it for heavy metal specialists. Those are a different species altogether. For 90% of popular styles... this is my new favorite toy. It is not a Swiss Army knife, but it has the most important four blades, and they are sharp!

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Tascam MP-BT1 Portable MP3 Bass Guitar Trainer Review

Tascam MP-BT1 Portable MP3 Bass Guitar Trainer
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I have owned this for over 3 months - it is awsome. Recieved as gift from wife. That and the leather case she bought with my name from ValetStand com. This is the first time ever I can just clip on my trainer and jam. The leather case is a must.

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8/18/2012

Seiko SQ70 Quartz Metronome Metronome Review

Seiko SQ70 Quartz Metronome Metronome
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Nice looks and ergonomics. Has a nice big transparent dial to adjust the tempo. Beware that some cheap metronomes have a fake dial and instead use push buttons to adjust the tempo. A real dial is so much nicer to use. Note that you must push the 'on' button down for about one full second to turn the unit on. Probably to prevent it from accidentally turning on if the 'on' button bumps against something. On a fresh battery, its volume can be turned up quite loud. Has a headphone output.
The clicks have two tones to choose from, one higher one lower, but if you set the Beat button to 1, you actually have four tones to choose from. The Beat button allows you to highlight every second, third, fourth, fifth, or sixth beat, by playing it at a higher pitch (a 'bing' sound). But this highlighted beat is actually a bit quieter than the non-accented ones; if anything, it should be a bit louder. This metro also produces a sine wave tone in A (440Hz) for tuning instruments by ear.
This metro seems to go through batteries a bit more quickly than most other metros. It uses one 9V. I bought a rechargeable 9V NiMH battery (it's really only 7.2V) and charger for this and it's perfect. You can also use a proper adapter if you don't mind plugging it in.
Also, about the green light at the top that arcs left and right in time with the beat; trailing behind the main (leading) light are two slightly dimmer lights ...looks a bit like a 'comet' effect. The two trailing lights are not a whole lot dimmer than the the leader, so especially at faster tempos, it can be a bit difficult to discern the exact position of the light relative to the beat. This is only an issue if you want to use the lights as a visual cue to the beat.
Nowadays you can get metros with much more complex beat patterns for less money, but if you only need a simple but good metro, this one might be worth its somewhat high price.

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8/17/2012

Kratt Master Key Chromatic Pitch Pipe - Eb to Eb Review

Kratt Master Key Chromatic Pitch Pipe - Eb to Eb
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I bought this for my bass string instrument even though I have an electronic vibration-type tuner because I want to actually hear the correct pitch sometimes for myself, and not be dependent on batteries. And sometimes I want to practice singing the melody line when my instrument isn't handy. I also use it for ear training with intervals. I got the Eb to Eb version because the lowest open string on my bass is an E and I wanted to cover that with the lowest E tone available. (Of course, its E is not in my bass's low E octave, anyway, but that doesn't really matter.) This Kratt chromatic pitch pipe has the quality feel and tone of a fine instrument.

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Epiphone Special-II Les Paul Player Pack, Vintage Sunburst Review

Epiphone Special-II Les Paul Player Pack, Vintage Sunburst
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I bought this exact guitar when I was 12 years old, now at 23, it still works and is in great condition. This guitar is wonderful to start learning on, especially if later on you plan on playing an authentic Gibson Les Paul, which is is nearly double the weight. This guitar has a slightly smaller scale which is better when you are starting off, and all Gibsons, as well as Epiphones have heads that are angled slightly at 45 degrees from the neck which is better for sustain. The neck is slim and easy to wrap your fingers around, even if you have short fingers. You'll find that compared to Fender Stratocasters and Telecasters, the Ephiphone's neck will make you feel as if your fingers are sliding on water. The strings are closer together than the other guitars such as the Parker Fly or the Fender Strat, and that makes it good for not only chords, bar chords, and the like, but also good for solos. Whether you are sitting or standing, the body is comfortably shaped. All in all, it is worth the cost.
The only thing wrong with this guitar that most people will eventually notice, and have problems with, is the infamous 5th fret buzz. It does not go away. It the guitar's only defect. But if you are jamming a lot for hours on end (like I have) you probably won't even notice.
If you are trying to decide Fender Stratocaster (a very popular beginners guitar), vs. Ephiphone Les Paul Special II, go with the Les Paul. It is much easier to play if you can get past the fret buzz, and its dual humbucker pickups will give you a nice round, full, tone. Of course, if you can afford an investment such as the Gibson version, then why not go for that ;o)


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8/16/2012

Agile AL-2000 Gold Hum Review

Agile AL-2000 Gold Hum
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This is a great guitar, period. Inexpensive, but not "cheap" in looks, construction, playability or sound.
Like everybody else who's bought one, I had to take a blind leap of faith -- the Agiles are only available by mail order, so unless a friend has one you can try, you're going by word of mouth.
And when I was looking into getting an Epiphone LP, the reviews for the Agile AL series stood out. They were fanatical -- I've read maybe two reviews from customers who were disappointed.
The only consistently negative reviews seem to be on Amazon, and if you read them, they seem to be from people who are against the Agiles on principle, not people who've owned them.
The hundreds of others, in forums (one has the initials "UG") and in user reviews (over 50 at a site with the initials "HC"), are more than satisfied customers -- they're thrilled customers. Including myself.
And I knew part of the reason why the second I unboxed mine and picked it up. These are SOLID instruments -- the set-in maple neck, headstock and mahogany body sure feel like one single piece of wood. And the sustain and variety of tones are there to back it up. Even with stock hardware.
And wood is the most important part of a guitar. You can replace all of the hardware, and adjust every screw and the truss rod, but the neck and the body better be good out of the box -- 'cause it's a lot easier to replace the pickups than to replace the neck.
Yes, the AL-3000 may be a better deal for you -- at twice the price (about $600) you're getting a single piece of mahogany instead of three for the body, a mahogany neck to match, a thicker maple top, and an ebony fretboard.
But that by no means rules out the AL-2000 for anybody. The solid 3-piece mahogany body, the maple neck and (thinner) 1/16" maple top, the rosewood fretboard -- not exactly unusual woods for quality instruments.
The Agile AL-2000 feels like it would take ten Pete Townshends to smash one. Read reviews, and the word "tank" will come up over and over.
I found two very small cosmetic flaws: A slight blemish about two inches below the tailpiece, which I have to really look for in the right light, and a tiny gap where the body, neck, binding and pickguard all meet, showing the slightest dollop of filler. A Q-tip and some gold paint would fix it right up, but its even less noticeable than the blemish.
That said, no one has ever accused the Agiles of being ugly. These are beautiful works of craftsmanship -- and there is a huge variety of finish styles available. If I have one regret, it might be that I didn't roll the dice on a bookmatched spalted -- you may get a great one, you may get a good one, you may get a mediocre one, but you will never get one that looks just like anybody else's.
This thing made its way from Korea to New Hampshire to Minneapolis, where the poor thing sat in 45F weather until I got home. No matter what the word of mouth was, I was planning on a pro setup, new strings and probably new pickups out of the box. I mean, it is a $220 guitar.
Unpacked it, waited not-long-enough for it to warm up (C'mon! Would you?), and tuned it. Amazing. Every single string was almost exactly 1/2 step flat. I guess those Grover Tuners that come stock really are all that. And the 1-18 ratio made tuning precise and easy.
Also amazing was the action. Super low and fast, with nary a fret buzz or dead spot to be found. Absolutely astounding was the intonation -- I'm very picky, and my usual method of open/12th harmonic/12th closed in fast triplets usually makes flaws stand out. Nope. Not on a single string.
Even the strings were already decent. 10 to 46s, standard stuff, but I'll keep using those gauges on this guitar. So, that $40 setup I was planning on was already done so well at the shop it was like I'd told them what I wanted.
It plays like a dream. It's heavy for some, but unchambered LPs feel heavy to a lot of folks. And it's beautifully balanced -- I let go, and the headstock doesn't take a dive. It stays right where I left it, with the weight on my center and left shoulder where it belongs. The neck is slightly slim and narrow compared to other LP-style guitars -- maybe a problem for thick fingers, but nice for speed. The jumbo frets, the incredibly smooth finish on the back of the neck, and the solid feel all add up to a musician's instrument.
Finally, and most importantly, the sound is beyond reproach. Nope, I didn't replace those ceramic wax-potted PUPs after all. Les Paul's own sweet, mellow jazz sound; Cream-era Clapton's "weeping woman" tone, Steve Jones' full frontal buzzsaw assault, the history and huge variety of sounds a good LP is famous for -- it's all there.
If you play this guitar with your hands, and listen to it with your ears, you will love it to death. If you look at it for its headstock, and turn your nose up at its price, you are missing out on a true prize, and possibly the best deal on an electric guitar available.

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