Showing posts with label combo amps. Show all posts
Showing posts with label combo amps. Show all posts

10/26/2012

Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt Review

Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt
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I am a studio sessio bassist, so I normally do not have much need for a bass amp. From time to time, I may need an amp in a studio for a "miked" tone for the recording, but in most cases I run direct with great results.
However, I had a dilema: When a studio client would ask me to play live with them, I frequently had to turn down the gig because I had great basses but no amp. I was looking on zZound's website (http://www.zzounds.com) and found this bass amp on sale as a B-stock item. B-stock is great value because it is slight used, usually returned merchandise that has been completely checked over and resold from the manufacturer. I bought this amp for considerably less than retail, it came with full warranty, and it had no cosmetic flaws when I opened the box. I plugged the amp in and hooked up my bass to test the amp, and the tone was amazing! This small combo amp, pound for pound, outperforms the bass stack that I owned before!
This amp has 220 watts, which is plenty of power for where musicians in the real world play. Face it: when was the last time you played an arena?! =D This is perfect for a gig in a restaurant, small bar, or club. This combo has an XLR output as well, so when recording or playing a larger venue or an outdoor festival, running to the PA and/or the recording console is extremely easy. I'm not a fan of 15" drivers, but again, I got such a good deal on this amp that I couldn't pass it up! I would have preferred a 2x10 configuration, which Ampeg does have available if you prefer that configuration. Nevertheless, the 15" driver with the 1" compression horn does produce clean, clear, versitile tone. I have used this combo for anything from rock, jazz, blues, metal, pop, country, gospel, etc. I have never had any complaints about the tone.
The preamp filters consist of a simple 3-band EQ (bass, mid, treble), which sounds surprisingly good for only being a 3-band EQ. There is also a 5-position switch with predetermined EQ curves from the factory: 1 & 2 scoop out the mids (1 = heavy scoop, 2 = light scoop), 3 is flat (no coloration), 4 & 5 boost the upper mids while keeping the lows and lower mids flat. All of these positions have very usable tones by themselves, but then when you use the 3-band EQ to tweak the tone... BAM!! Ampeg tonal magic!! I don't know what Ampeg does to make this little box sound so good, but whatever it is works! ;)
Some other features that I like are the BUILT IN TUNER (huge convenience, and the tuner is accurate), a mute switch (always a welcome addition to a bass amp as far as I'm concerned), and removable casters so that moving the amp around is a breeze. Also, the classic black Ampeg look. I can go to any kind of gig, and the musicians and fans will immediately know what kind of amp I'm playing and how good it will sound. There's also RCA left and right (that's red and white) connections so that you can hook up your iPod, CD player, metronome, or drum machine while you practice. I usually don't practice plugged in, so that doesn't really matter much to me. :)
There are also a couple of little things that Ampeg thought of that don't really matter to players unless something goes wrong... For example: ever broken a knob off your combo amp because it stuck out too far and your car door hit it? I think we've all been there... The tops of the control knobs are slightly under flush from the top of the cabinet. Minimal risk for knob breakage. The power cable is built in, though I would have preferred a standard detachable power cable. Again, though, minimal risk. There is a space on the back of the cabinet under the head that's about 4-5" tall and is deep enough to tuck the power cable away when no plugged in. They even thought to put velcro tabs in this spot to secure the cable.
A couple of things that I would have liked to see on this amp include a compresser and lighter weight. The power amp does have a built in limiter to protect the amplifier from signal peaks. This does have some effect on the tone, but it is minimal. I like a compressed tone, but I can buy a foot pedal for compression. Not a huge-mongous deal. Also, this thing is an 85 lbs BEAST!! The casters do make lugging this heavy box around easy once it is on the ground, but getting it in/out of the car is a little rough on my lower back. If you don't mind the weight too much, this will not be an issue. I would have also liked to see an effects loop and an auxilary speaker output. I think Ampeg was trying to keep this amp very simple, so I understand why these features aren't there. It still sucks a bit though...
Overall, I was very impressed with the performance, tone, look, and everything else with this particular combo amp. I am very glad that I bought it, happy about the good deal I got, and overjoyed with the tone this box puts out.

Click Here to see more reviews about: Ampeg BA115HP BassAmp Series 1x15 Solid State Bass Combo Amplifier, 220 Watt

When the bass simply has to be heard and felt, the BA115HP is the high-powered combo solution. Featuring a 220-Watt power section and a custom 15" Ampeg speaker, the BA115HP can fill a medium-sized venue with headroom to spare.
Designed to meet the needs of today's multi-string bass player, the BA115HP's HF level control lets you dial in the perfect amount of top-end, so all those harmonics and chordal subtleties you've worked so hard to develop get heard by the entire audience.
If you're the kind of player who changes basses often during a performance, the BA115HP's mute switch will come in handy-and it allows you to use the built-in digital chromatic tuner in total silence. The XLR balanced line output is perfect for patching into front of house or recording consoles. Solid Ampeg tone, with conventional functionality, the BA115HP.
Specifications:
RMS Power Output: 220-Watts
LF Driver: 1 x 15" Custom Ampeg Speaker
HF Driver: 1" Compression Driver with Level
Preamp: Solid-State
Power Amp: Solid-State
Tone Controls: 3-Band
Mid Tone Control: Style
Balanced Line Out: Yes
Built-in Tuner: Yes
Mute Switch: Yes
CD Input: Yes
Headphone Output: Yes
Dimensions (W x H x D inches): 21 x 21 x 15.5
Weight: 80 Pounds


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9/30/2012

Fishman Prefix Plus-T Preamp - wide format Review

Fishman Prefix Plus-T Preamp - wide format
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I had this pre-amp installed into a Tacoma Thunderchief acoustic electric bass. It sounds awesome and works great. My only complaint is that the sound is a little weak on my G and D strings up high on the neck. But I'm a bass player and I don't spend very much time up there. I give this pre-amp an A. Very Happy Fishman Prefix Plus-T Preamp - wide format

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9/18/2012

Marshall MG15FX Guitar Combo Amplifier - 8 Inch, 15 Watts Review

Marshall MG15FX Guitar Combo Amplifier - 8 Inch, 15 Watts
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I bought this for my son to practice on. It sounds pretty good and sounds like a Marshall but it's fairly noisy - even on the clean setting. Also, I think it's outclassed by the new amps from Line-6 and Fender - particularly the Mustang I. I'll be exchanging his for the Mustang I which sound cleaner, can sound like a small tube amp, a Marshall and others for the same price. I think the Fender is a better value and more versatile.

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9/15/2012

Line 6 Spider Jam Guitar Amplifier Review

Line 6 Spider Jam Guitar Amplifier
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Wow! As an owner of the Fender G-dec, the Line 6 spider jam was the next evolution. I had been waiting for the ship date of the spider jam for some time and I was not disappointed! The backing tracks sound great, the artist created presets are awesome, and the drum tracks sound very professional! The features of this amp are great and most of all fun. Line 6 has a reputation for absolutely awesome sounding guitar amps and the spider jam is no exception. The hours really fly by when you're having fun and I really have given my guitars lots of playing time but is that not the point? Line 6 has really outdone itself and I cant say enough about the Spider Jam! Try one, you won't be sorry!!!

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The Line 6 Spider Jam is the ideal tool for any level of artist who wants to perfect their jammin' skills. Over 100 Endless Jams using real audio tracks from real-life LA session players, making the experience like playing alongside a pro band, not just cheesy MIDI files. A built-in multi-track Looping Recorder stores up to 14 minutes of sound, and the Mic/aux inputs adds the extra bonus of throwing keyboards, bass or vocals into the mix. Spider Jam, like other amps in the Spider III family, features hundreds of rock star-approved presets, 12 distinct amp models, Smart Control effects, along with a built-in tuner. Packed with Insane rock star sounds, Spider Jam is the perfect combination of practice tool and gigging amp. Line 6 Spider Jam Features 250 artist-created tones 100 + Endless Jams with a pro rhythm section Looping recorder stores up 14 minutes of music 12 distinct amp and cabinet models 7 Smart Control FX models including: Tape Echo, Multi-Tap, Sweep Echo, Flanger/Chorus, Phaser, Tremolo and Reverb 36 Programmable presets 75-watt power section 12-inch Custom Celestion speaker and 2-inch tweeter. On-board tuner CD/MP3 Input jack Stereo 1/4-inch Outs and headphone jack

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8/25/2012

Line 6 Micro Spider 6-Watt Battery-Powered Guitar Amplifier Review

Line 6 Micro Spider 6-Watt Battery-Powered Guitar Amplifier
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Not a bad little amp - for what it is. VERY handy for portable practice, just got back from 2 weeks at the beach and it served wonderfully with my BluesHawk. Also turning out to be really convenient for quiet practice at home via headphones. Batteries (6Cs) and the included AC adapter both work fine. Built in tuner is convenient, it will get you real close at least.
I REALLY wish Line 6 would put (much) less emphasis on providing "Insane Rock Star Settings" - I guess its not hard to figure out their target audience, but come on - with only 5 amp models who really needs Crunch, Metal AND Insane?!? What about Blues (or even Twang)?...a model more for British/Classic Rock? Anyway, besides Clean, and a bit of Crunch, I do appreciate the inclusion of Acoustic mode for my Martin, which was a major reason I picked this amp over other similiar battery-capable ones (the other being that it's Line 6 as is my SV112 & Pocket Pod so functionality is familiar). Hmmm...but if it is for "portable practice", with an acoustic would one bother with an amp at all? Still, the choice is there for 'normal' practice situations.
Unfortunately, the sound does suffer through headphones, and background hum/noise are especially more evident. The same headphones sound much nicer and cleaner on my PPod. However I do not get the 'ground loop noise' with my Gibsons as I typically do through my SV - which is very good.
I did not try the CD/MP3 input yet - though the idea of using this as a speaker for an IPod is cool - definitely will make use of that.
I had a Roland Micro Cube for a very shot time, and that also functioned well. The amp model choices there were much more useful (for me), and I do not recall the headphones bringing down the sound quality.

Click Here to see more reviews about: Line 6 Micro Spider 6-Watt Battery-Powered Guitar Amplifier

Micro Spider is a fully loaded, battery-powered addition to the Spider family of amplifiers. At home, on vacation or in the back of the tour bus, Micro Spider is the portable amp you can truly rely on for brilliant on-the-go tones and effects for electric guitars, acoustic guitars and vocals.Offering attitude and flexibility unmatched by amps more than twice its size, Micro Spider has a larger-than-life Napoleon complex. Four Spider III amp models, a new acoustic guitar model and six Smart Control FX give Micro Spider a wide tonal range and real sonic versatility. And with POD 2.0 -style direct out, Micro Spider is ideal for practicing with headphones and hassle-free direct recording.Theres a lot of muscle in this raucous little box: the sound of six C batteries pushing six watts of screaming electricity through a 6.5" speaker has never sounded so ferocious. Plus, with its integrated chromatic tuner, Micro Spider has everything you needwherever you are.

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8/11/2012

Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier Review

Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier
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This thing is in limbo. It has too many functions to be a basic amp, and not enough to be a really broad-ranged amp like it's bigger siblings. It annoys me that it gives you effects, and then doesn't give you a whole lot of ability to fine tune them to your own tastes. The tremolo is especially annoying because you have no control over the depth, (which goes from all-on, to all-off) just the tempo. Another thing, and this is something that has become standard in the Spider series, is that the knobs are digital. While this is not a problem per se, it could be better implemented. When you change the amp model, it overrides whatever you had the knobs set to. This is a problem, because you have no idea what the positions of the knobs are for the presets, and you have to turn them a little to get control of the knobs function, which instantly throws it to the knobs current physical position (indicated by a dimple on the face of the knob, which, by the way is kind of hard to see in low light). Confused? Yeah, some kind of led's around the knobs to show their current digital position would be nice.
On the plus side, they should never crackle when you turn them, even 20 years from now!
The farther you roll the amp selector knob to the right, the higher the gain goes, so if you are trying not to disturb the neighbors, make sure you back off the master before you select Crunch, Metal, or Insane.
As far as sound quality goes, I don't have any complaints. It does sound pretty nice, it can be adjusted to give you a really clean sound, but, as is typical of solid state, it lacks the warm fuzzy tone of tubes. Not a knock really, just par for the course.
The instruction manual does not explain how to use the built in tuner function, and the FAQ's on the Line6 website seem to be describing the 15w model procedure, not this 30w (which is very different in the way it works), but you'll figure it out pretty quickly when you start turning the tuner knobs.Bottom Line: If I had a piece of advice to give to those of you on the fence, I would either get the 15w model, (because I really don't see enough extra features in the 30w model to justify twice the price), or step up to the 75w model which has 300+ presets (and it's probably loud enough to gig with a drum set, which this probably is not). I honestly don't see a hundred dollars difference here, if they had included the 300+ presets on this model, I would give it 5 stars, but as it is, it is a nice little 4-star amp.

Click Here to see more reviews about: Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier

The Line 6 Spider IV 30 is a 30-watt combo amp featuring Line 6s world renowned newest generation amp modeling, effects, amazing ground breaking features and a friendly price tag. In one compact, easy to transport amp, you get the sound of some of the most coveted vintage and modern guitar amps of all time.Featuring a 12 custom Celestion speaker, 12 essential amp models, 7 Smart FX, 4 user-programmable channels. A host of useful, fun and exciting features make the Spider IV 30 an insane bargain and indispensible tool for live performance and studio recording.GET ALL THE VINTAGE AND MODERN AMPS YOU CRAVE!Plug your guitar into the front panel input jack and take a big step back. Youll be delighted by the Spider IV 30s tube-like feel and ever-present tones. It wont take long for you to discover that this amp delivers so much versatility with rich, attention demanding toneyoull have a hard time turning it off!Offering a lively palette of much sought after British and American amp tones, youll be armed and ready for any song, any genre and any style as you quickly dial in the perfect tone and effects for the task at hand.The 12 built-in amp models cover all of your guitar tone needs right out of the gate. Everything from crisp and clean to warm and jazzy to tight and punchy to bone-crushing grind (think Mesa Dual Rectifier) are selectable via a simple knob twist as you select the proper channel on the amps front panel. Even the coveted Brown Sound (68 Marshall Plexi 100-watt with a Variac and jumped input channels) is onboard.GET YOUR SOUND, YOUR WAYThe 3-band EQ (Bass/Mid/Treble) allows you to adjust your overall tone to your personal liking. A dedicated Drive knob lets you dial in the perfect amount of distorted grit and the Channel Volume knob enables you to balance out the signals so quick changes between presets are a safe maneuver in the heat of battle. This means your volumes remain even across the board regardless of tone changes.Speaking of presets, there ar...

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7/10/2012

Line 6 FBV Shortboard MkII Foot Controller Review

Line 6 FBV Shortboard MkII Foot Controller
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This review is specific to the FBV Shortboard with a Line 6 Spider IV amp.
I bought my Line6 Spider IV 75 (1x12) amp about 6 months ago and just recently bought the FBV Shortboard as I'm playing in a band again. I was fairly underwhelmed with the amp before acquiring the shortboard. Now, it seems like a seriously worthwhile amp that I can gig with.
A bit of background on me, I've been playing for close to 15 years, both casually and semi-seriously, as an amateur musician. I've owned everything from boutique tube amps (eg Egnater IE4) to simple old tube amps (50's Fender). For a while I thought Line 6 products were beneath me. I even considered buying the Spider IV "settling." Now? I'm definitely changing my tune. Discussion about the tone of the amp aside, the shortboard is the difference between the Spider IV being a neat toy for home and an amp you can actually use in live settings. The simplicity of having your entire rig in one amp and a single pedal unit with only a single 110V power supply between them is great. No worrying about a patch cable going bad or running out of 9V batteries. No weird hum from the poorly grounded club and your vintage tremelo pedal. It's nice.
Down to the board specifically... right out of the box, you can switch between banks and presets, turn the four categories of effects (stomp, modulation, delay, reverb) on or off, control tap speed, turn on the gain boost, run the looper and have a switchable volume/wah pedal. That's a lot of stuff with no setup. And if you spend a lot of time with the amp, you really don't need much more from there.
When you plug into your computer and use the Line 6 edit software, you can get a lot more out of this thing. For one, it's a lot easier to change the presets on your amp. You have much more finite control over every amp/effect setting. Plus, you have access to things you normally wouldn't. For example, if you are using the pitch shifter, you can set it to be controlled by the expression pedal. You can set any of the time-based effects to be tap controlled or run off a specific delay time. You can copy/paste presets as well. Beyond that, it's a lot easier to be organized with designing your amp settings. For me at least, I like having a graphical view of all my volume settings and the ability to move presets around with a mouse so I can make sure everything I'll use while playing a given set is in a place that makes sense and one channel won't be considerably louder/quieter.

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7/07/2012

Marshall MG30FX Guitar Combo Amplifier - 10 Inch, 30 Watts Review

Marshall MG30FX Guitar Combo Amplifier - 10 Inch, 30 Watts
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I was more then happy with the performance of this amp. It went beyond my expectations. The sound is clean and crisp. The speaker was able to handle any distortion I threw at it and it stayed clean and crisp. The output is much more then I expected for a 30 watt amp. I haven't played an electric guitar in years and wanted to get back into it, I knew I couldn't go wrong with Marshall. They were the top of the line when I was a kid and at 55 now, it still is top of the line. This is a great amp for the money. I could see using this amp for a garage band or playing in bars. I am really have a fun time with this amp. Hope this helps anyone looking to buy an amp for the first time or someone getting back into playing again.

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Marshall's MG30FX features their exclusive, groundbreaking FDD circuitry plus 30 Watts of power for killer tones. The MG30FX includes a 10-inch speaker, four switchable channels, and a 3-band EQ that lets you shape your tone. Four digital effects are included, along with cabinet emulation for the line or headphone out. A fine marriage of digital convenience with modern Marshall tone.

Analog Tube Emulation Marshall's innovative FDD (Frequency Dependent Damping) circuitry gives the MG4 Series the unbelievable depth of sound and unique feel of their legendary, all-tube amps. It does this by emulating the way an all-tube power amp interacts with the speaker(s) it is driving. The result? An amp that gives you the best of both worlds, not only producing the tone you're looking for, but offering an intuitive and totally programmable way of customizing, storing and accessing your favourite Marshall tones and features.
Preset and Manual Modes The MG30FX features two modes: Preset and Manual. Preset mode stores the position of all the controls except the master volume, allowing you to store the settings for each channel for instant recall.
Selecting a channel automatically recalls the settings stored within the channel. The physical position of the front panel controls automatically update.
In Manual mode, the amp behaves like any other amp--adjust the controls to your liking on the fly; channel-switching won't recall stored positions (although you can of course save one if you like it).
Four Channels On the MG30FX guitar amp combo, the available channels are Clean, Crunch, OD1 and OD2--four different foundations upon which to build your sound.
Switching seamlessly between channels is easy with the push button controls, or you can add an optional footswitch.
Reverb and Digital effects The MG30FX allows two simultaneous effects--Reverb and one of these four digital effects: Chorus, Phaser, Flanger or Delay.
All four effects are controlled by a single knob. Turning clockwise increases the speed on the modulation effects and the level of the delay effect.
The delay can be manually set using the front panel Tap button, which allows you to match the delay time to the time between two presses.
Headphone/Line Output The combination line out/headphone out features speaker cabinet emulation, giving you full Marshall sound when recording or practicing through headphones (when a jack is inserted into the socket the unit's speaker is muted).
Line Input The 3.5mm MP3 / Line In socket allows the connection of an external audio source, such as an MP3 or CD player. Plug it in and play along.
Stompware Footswitch (Optional) Upgrade your rig with the Stompware footswitch, which provides seamless transitioning between channels, foot control of the tap tempo delay, plus a built-in tuner with LCD display.
MG30FX Specs
Power (RMS): 30W
Channels: 4
Speaker: 1 x 10-inch
Weight (kg): 10.8 kg
Size (mm): 480 x 420 x 225 (W x H x D)

What's in the Box MG30FX Amplifier, Power Cable, Owner's Manual

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6/29/2012

Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier Review

Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier
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I started two years ago with a 15 watt Spider III, then along with other amps, bought a Spider Jam. I thought they were all great. Now they come out with Spider IV, and the difference in the sound is dramatic. They are getting very, very close to tube sound. So much so that for the lousy $299, compared to say $1000+ for 75 watts of tube, this is a real steal.
Loaded with features, and hundreds of presets, it has something for everyone. The Pitch Shifter and 18 available manual settings just add to the fun. And it will work with either generation of FBV pedalboard. Says so right in the manual. The only difference I see is with the generation II pedal you get a USB port.
Does it sound as creamy and smooth as my Peavey Delta Blues or Crate Palomino tube units? No, there is still a little digital overlay around in there. But most people who are looking for a great home based amp, or maybe a church or small gig amp, this is a WINNER and the price is just nuts. Forget the Peavy Vyper, this is hands down much better and you don't have to sink another couple hundred in a pedal to get to all the presets like the Vyper.

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An incredible amount of care, passion and attention to detail went into recreating the authentic characteristics and tonal nuances made famous by the modeled amplifiers. Experience exceptional depth and sophisticated touch response. Discover complex distortions that jump from the speaker and the valve-style compression that breathes like its emanating from a vintage tube amp while supporting and sustaining each note. Spider IV 75 delivers so much more than just great tones and effects; it delivers a truly evolved playing experience. The Tones of Your Favorite Guitarists Who do you want to sound like today? Access over 300 signature guitar tones masterfully dialed in by 50 world-famous bands and rock stars including Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Johnny Marr, the Donnas, Steve Stevens, Minus the Bear, producer/guitarist Pete Anderson and so many others!Rip scorching leads with high-gain tones hand-crafted by Slipknot; play arena-rock anthems with the classic snarling rhythm tones of Steve Stevens; unleash the swirling, effect-laden rock tones dialed in by Minus the Bear; play with Johnny Marrs bright, snappy rhythm tones (and even a well-known signature tremolo tone from his past).Plus, rock with almost 200 dialed in song-based presets that give you access to legendary guitar tones from the vibey rockabilly slapback of the 50s to the mid-range mayhem of today. Get the tones of Master of Puppets, Back in Black, Whole Lotta Love, Daytripper, Toxicity, Purple Haze, Head Like a Hole, Smells Like Teen Spirit, Crazy Train and more!300+ hand-crafted artist-created presets dialed in by 50 world-famous bands and rock stars Almost 200 dialed in song-based presets giving you legendary tones from the 50s to today Jangly cleans, scorching distortions, effect-laden tones, and everything in between! All the Vintage and Modern Amp Tones You WantSpinning the amp model knob on the front panel of Spider IV 75 is like browsing through a museum of the most r...

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2/05/2012

Kona KCA25TBK 20 Watt Electric Guitar Amp with Tuner Review

Kona KCA25TBK 20 Watt Electric Guitar Amp with Tuner
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Very nice amp. has a footswitch jack in back for the overdrive. For a little puppy it can put out. Worth the money.

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12/04/2011

Behringer GTX60 Guitar Amplifier 60-Watt Guitar Amplifier with 2 Independent Channels, Fx, Tuner, Tube Modeling And Original Bugera 12 Speaker Review

Behringer GTX60 Guitar Amplifier 60-Watt Guitar Amplifier with 2 Independent Channels, Fx, Tuner, Tube Modeling And Original Bugera 12 Speaker
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Call me nuts but I love this amp. Good clean channel and great dirty. Seperate EQ's for both channels. The countour control on the dirty channel lets you dial in different amp sound from vintage to modern. I get a f'ing superb AC/DC sound on this amp and it packs a punch volume-wise. No probs this getting over drums bass and another guitar. The efects are good - 4 of each Chorus, Flange, Delay and Reverb. You cant adjust any of these effects, they come as they are. The only thing you can adjust is the level of the effect you're using. So if timing a delay is very important to you, then you're best using a pedal which you can regulate. I do love the delay in this amp though. There's a tube "switch" that supposedly kicks in the real sound of tubes. Well not quite. Using this feature sounds great at low volumes but when you're cranking it I find it muddies the sound a bit. It sounds fine when this is not activated.
It's light as well and that's a major plus as I've dragged around Fender Deville and that weighs a ton. I barely see reviews for this but I see plenty for the transtube The Peavy Bandit (which I also own). This is every bit as good as that, and the Bandit is a great little amp. It could do with a mid control on the clean channel and this is the main gripe I have with this amp. The countour does the job on the gain channel. Still, the clean sound is nice. Just dont expect a Vox or Fender nice. Remember you're paying 5 times plus less.
I'm a basic player in terms of what I want. Ive been playing for 30 years plus and I need a basic layout. No 5,000 knobs on an amp and a college degree needed to operate it for this guy. I have heard stories about Behringer quality but I've had this for 6 months and use it regularly and it's still holding up as good as day one. For the price its awesome. If you want a great little amp at a bargain price, especailly if youre a beginner, then seriously try this out!

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