Korg KDM-2 True Tone Advanced Digital Metronome Review

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(More customer reviews)but it doesn't do much more than the less-expensive Korg MA-30. That said, I like the KDM-2 quite a bit. It's an improvement on the KDM-1 (which I like very much also - it's just a more basic metronome), and similarly designed. The KDM-2 shares these features with the MA-30: tap-in beat; subdivided beats; 12 calibrated tuning notes (you can choose the exact tuning - A=440, 441, etc); mute button. The added KDM-2 features: son clave & rumba beats (3-2, and 2-3); choice of 4 different click sounds; LCD display; LED beat indicator; loud volume (I play trumpet & have no problem hearing the metronome), and tempo selection in standard metronomic increments (60, 63, 66, etc) in addition to +/- 1 beats (60, 61, 62, etc).
You should get the KDM-2 instead of the MA-30 if you need the extra latin beats, the different click sounds (at least one of which should cut through most loud playing, or possibly small ensemble volume) or the LED indicator (the light however doesn't seem as strong as that of the KDM-1). If these extras aren't enough, the MA-30 would be an excellent choice.

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The Korg KDM-2 is an easy-to-use, electric metronome that visually marks the tempo with remarkable accuracy, and delivers a powerful sound like never before.

Improved cylindrical resonator speaker This digital electric metronome delivers even clearer and more powerful sound, and Korg's acclaimed cylindrical speaker has been further enhanced with an improved resonator structure to ensure that it is easily heard. Even loud instruments will not overpower the unmistakable, clear sound of the Korg KDM-2. And with the KDM-2 you have the choice of selecting 3 different PCM sounds (cowbell/agogo/clave) for the beat, so you can choose which sound you want to compliment the instrument you're playing. The volume can also be adjusted to the most appropriate level. Since there's a PHONE jack built in to this electric metronome, you can connect a mini-plug (1/8") earphone, perfect for private practice.
Easy-to-see, large LED The START/STOP switch located on the top panel of the Korg KDM-2 blinks in two colors--red and green--providing for unmistakable visual indication of the tempo. The START/STOP switch is a great feature if you are looking to practice with a silent metronome.
A variety of beats cover even sophisticated rhythms From basic beats to variations like son clave and rumba clave, the KDM-2 contains a total of 19 beat patterns. You can set the tempo in any one of three ways. Full Step mode lets you adjust the tempo over a range of 30 through 252 in steps of one. Pendulum Step mode lets you set the tempo using the preset tempo settings, as on a mechanical metronome. and Tap Tempo lets you set the tempo by pressing the TAP switch at the desired interval.
Use the reference pitches to tune by ear Sound Out mode outputs a reference tone that you can use as a tuning guide. You can listen to any one of the twelve pitches from C4-B4. You can also adjust the A4 frequency (calibration) in a broad range from 410 Hz-480 Hz.
Memory backup function The KDM-2 provides a memory backup function that remembers the specified tempo, beat, calibration, and reference pitch, even when the power off.
Designed for stability and ease of use The large LCD screen on this electric metronome makes it easy to view the settings. An encoder-type TEMPO/CALIB dial and a Step Select switch provide quick and direct access to settings and functions. Featuring an original design that is compact yet stable, the KDM-2 is at home on your desk, your piano, or anywhere else.
Long battery life The KDM-2 is designed for long battery life. The electric metronome will continue marking an accurate tempo for approximately 120 hours of continuous use at a tempo of 120 beats per minute.
Three-Year Warranty Korg digital and electric metronomes purchased from a Korg USA authorized dealer now have a three-year warranty.
What's in the Box KDM2 Metronome, Four AAA Batteries, User's Manual

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Cherub Intonation Trainer Review

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(More customer reviews)The product comes with the most important accessories (earbud, contact microphone) and has a very easy to understand interface. The functions are all very useful and the built in speaker is loud and very clear (volume adjustable). It has a better built in metronome than I've used on some stand alone metronome units. As for the pitch training function it was intended for, it has positives and negatives...
The pitch recognition and playback does actually work as described most of the time. However, you have to be very close to the pitch for it to play the correct pitch back, which is odd since you can see on screen that it definitely recognizes what note it hears you being closest to. So it doesn't help much more than a standard digital tuner if your intonation is significantly off (as mine sometimes is) and is best suited for fine tuning an already good sense of pitch/finger position. Another problem though is that, at least with the violin, it picks up a lot of overtones and sometimes treats those as the recognized pitch. So for instance you might be playing an open D but the tuner is playing back a high G or A to you. The speed of response in pitch recognition varies a lot. Occasionally it will respond wonderfully quick, giving you a note almost simultaneously with your attack...other times it seems to take a few seconds to respond. I'm not sure what factors are causing this for me, it could be other variables such as ambient noise, etc.
I give this 4 stars instead of 3 for the number of helpful functions this has in one unit. For the price it's actually very handy and a good value for beginner players.

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Sabine NexTune-6z Guitar & Bass Tuner with Tone Generator Review

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(More customer reviews)Does its job. Cheap and fairly reliable. Not sturdy or easy for on stage use though.

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Profile AMS-PMT-3000 Clip-On Digital Metronome, Tuner, and Tone Generator with Tri-Color Display, Silver Review

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(More customer reviews)This review is actually for the Profile PMT-3500. After reading a TON of reviews of different clip-on tuners, I finally took a stab at this one. The price, easy of use, and the built-in metronome snagged my attention. It tunes according to vibration only which works perfect for acoustic guitar especially in louder environments. It picks up the low strings fine for tuning. I would recommend this for any semi-serious, to serious guitar player...it's a little big (compared to other clip-on tuners), but does the job well.

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Peterson V-SAM Virtual Strobe Audio Metronome Review

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(More customer reviews)I am called on to tune harpsichords, and this is often done using unusual temperaments and pitch standards far from A=440Hz. I formerly used the excellent Korg MT-1200, because it could be programmed to any temperament, and because it allowed a very wide range of pitch standards (I often need to tune to A=411, for example). Korg has discontinued the MT-1200, replacing it with the model OT-12, which has most of the same features but is not programmable. When the MT-1200 that I used went bad (its memory chip failed, so it needed to be re-programmed every time I used it, quite a hassle), I went on a search for something else that would do the job.
After consulting with harpsichord players, builders, and other experts, I learned about the Peterson V-SAM. None of my experts had actually used this tuner, but had heard that it was an amazing new device that was great for harpsichords. I called Peterson (for a very long time known as a venerable manufacturer of stroboscopic tuners) and their sales people confirmed that the V-SAM was excellent for this kind of instrument. I let my experts know what Peterson had told me, and so they independently bought V-SAMs at the same time I bought mine.
About a week after I got my V-SAM, I started getting calls from the others. Nobody could make the V-SAM work with harpsichords. It was unstable, and would frequently not even recognize that a note was being played on the instruments. Suspecting a faulty unit or perhaps a faulty manufacturing run, I checked my V-SAM with some wind instruments. It worked fine. Several calls to Peterson tech support revealed that if I simply added an external microphone, the V-SAM would work great on the harpsichord. I tried hand held mics, clip on mics, and suction-cup mics, and nothing helped. The others had similar experiences.
Finally, I was able to talk to engineering at Peterson, and was advised that the V-SAM was never designed to work with instruments like pianos or harpsichords. They said the tuner was intended to be used with instruments that can sustain their tones, like violins and wind instruments.
I have since returned my V-SAM, as have all my associates. I want to stress that this is not really a fault of the unit...Peterson is a good company with a high quality product. The problem is that this design is not suitable with certain instruments that produce transient tones. Unfortunately, Peterson sales and tech support did not know this and led me astray. Likewise, most retailers simply parrot what Peterson says or implies in their sales capacity, and hence the bad information is kept circulating.
In my opinion the V-SAM is a fine product for most applications, but if you want to use it with instruments that produce tones that decay quickly, look elsewhere.


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Barkus Berry Soulmate Clip-Style Chromatic Tuner Review

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(More customer reviews)This clip-on tuner is the most accurate of any that I have tried. Even the low pitch strings can be tuned which is not the case with many other tuners.

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Intelli Metronome & Tuner: IMT-202 Review

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(More customer reviews)I have owned several tuners, none of which have ever broken...except the Intelli tuner. I have two of these and both are broken...don't waste your money on this brand.

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Fender Accesories 023-9989-124 Guitar Tuner Review

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(More customer reviews)I expected a Fender branded product to be higher quality. In a noisy room, its hopeless using the built in mic to tune your acoustic and the black face plate fell off, it was stuck on with "double sided tape"!!! When you're tuning, you have to keep plucking the string hard in order for the tuners' mic to keep showing a signal. Don't buy this tuner!

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Seiko SAT1100 Chromatic Tuner Review

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(More customer reviews)When I started measuring the cent deviations of certain musical notes, I first used the KORG OT-120 tuner.
After a while I noticed, that OT-120 diplays a too large cent deviation if the pitch is not exactly at the
center of the scale. Then I ordered a second OT-120, and that unit had the same reading errors.
Quickly I returned the second KORG OT-120 to the seller, the first unit is out of warranty already.
Fortunately I found that SEIKO model SAT1100 tuner.
The Seiko has a better microphone response, furthermore it has a much a better input filtering than the KORG OT-120.
Higly dynamic guitar string picking does not cause erratic needle movements and the reading is quicker to take.
Tuning to 1 cent accuracy is conveniently achieved.
The SEIKO SAT1100 does only offer equal temperament tuning. For other temperaments you must have the tuning pitch tables available. Since the needle pointer is very stable, tuning off scale pitches is as easy as it can be.
Other SEIKO tuners, eg. the SAT800 display the cents tuning deviation as digital needle pointer and additionally they display the value in digital numbers in steps of 1 cent. The analog needle of the SAT1100 allows for finer resolution,
watching small changes as they occur, while the LCD types jump from cent to cent but are easier to read.
The only negative comment I give is about the design of the SAT1100 case and cover and the lack of a good table stand.

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Korg MA-30 Ultra Compact Digital Metronome Review

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(More customer reviews)This is chock full of features and hands-down the best budget portable metronome on the market, with only one caveat which'll be mentioned later. A terrific buy for students.
Battery life is great, getting around 200 hours out of two AAs. The display is clear and easy to read. I've dropped it once and it didn't cause any problems. For a digital metronome, the beep isn't an irritating chirp as some other metronomes tend to be.
It can generate any tone on the chromatic scale for manual tuning, and even allows you to adjust the pitch slightly away from A440 if you need to (sometimes necessary, especially for wind players playing outdoors in the extreme cold)
It can handle 1 - 7 beats per measure, and can give you triplets, 8ths or 16th notes on top of that.
It has a handy tap feature to determine tempo.
This isn't perfect, it's not a Dr. Beat (the best metronome on the market, period). The volume control is very sensitive, and if you have it in your pocket you can easily accidentally blast your ears with headphones on. An LED would be a nice addition.
The caveat mentioned earlier is this: Most people prefer a dial to adjust tempo as opposed to the up and down buttons of this model (The Matrix MR500, MR800 and the Seiko SQ50 have less features and lack a volume control, but do have a dial and LED). Still, for the price and the features, you can't beat it.

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The MA-30 is the latest digital metronome from Korg's innovative line, packed with new features like volume control and sophisticated rhythms such as triplets and quadruplets, with inner beats omitted.

LCD Display In addition to the audible click, the MA-30 features a liquid crystal pendulum for visual tempo reference.
Sophisticated Rhythm Patterns 13 different rhythms are built-in to this electronic metronome so you can practice to more than just a click track. Rhythms include duplets, triplets, triplets with inner beats omitted, quadruplets, and quadruplets with inner beats omitted are programmed into this digital metronome
Reference Pitches The MA-30 features twelve reference pitches (C4 -B4) for tuning on the go, with adjustable calibration of A4 from 438-445 Hz.
Tap Tempo The MA-30's tempo adjusts from 40 to 208 BPM. You can also use the tap function for setting the tempo manually.
Adjustable Volume and Headphone Output Adjust the metronome volume to your liking, and use the earphone jack so only you can hear the sound.
Power Efficient Get approximately 250 hours of continuous digital metronome use on two AAA batteries.
Ultra-Portable The MA-30 weights in at just .17 lbs. (including batteries), and is small enough to fit in your pocket at 4.09 x 2.52 x 0.59 inches (W x D x H).
What's in the Box Korg MA-30 Digital Metronome, Two AAA Batteries, User's Manual

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Sabine MT9000 MetroTune Chromatic Tuner and Metronome (LCD) Review

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(More customer reviews)The metronome function is decent, but could be louder.
The tuner cannot register any notes in the bottom third of my tenor trombone range. Whenever I play a low note, the tuner gets utterly confused and becomes unable to register higher notes as well. Definitely don't buy this tuner if you're a low brass player. Perhaps this tuner was meant for string instruments?
If you're looking for an excellent tuner, I highly recommend the Boss TU-12H.

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Slim, compact design, just 4" wide

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Korg OT-120 Wide 8 Octave Chromatic Orchestral Tuner Review

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(More customer reviews)I purchased this for tuning my violin and piano, assuming it would do a great job on the violin (it does) but was wary of how it would work on the piano. I had been using a Peterson Virtual Stobe tuner for years, using standard piano-tuning techniques and equipment, and preferred tuning to a strobe rather than to a needle or LEDs. But battery leakage had put my VS out of commission. With the Peterson VS having its own imperfections, and a new one now running 3-4 times the cost of the Korg OT-120, I decided to give the Korg a try. (I also purchased the clip mike just in case its built-in mike balked at some of the overtones on my older piano.) I now use the Korg OT-120 regularly, not only to tune my piano and violin, but also as a practicing aid for the violin. It's very responsive and useful in verifying that I'm hitting pitch. After a few months of use I can say that the Korg OT-120 has exceeded my expectations for ease-of-use, value, and effectiveness for tuning my violin and piano, and for practice (strings). The tone generator is useful for ear training as well as for tuning. The display is smaller than I'm used to on the Peterson, but then again the Korg is much more portable. The clip microphone has come in handy for tuning some of the trickier strings at the lower and higher octaves, but I don't need to use it very often. Although I prefer the strobe for how it linearly visualizes pitch adjustment, it took less than half a tuning session to re-adapt to a needle/LED style display. Note: The Peterson has a larger number of tuning temperments than the Korg, so if you're tuning for early music make sure to review the temperments available on the Korg before buying. Nor can you store custom temperments on it.

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Tune string and wind instruments in a flash with the OT-120, a new band and orchestral tuner that combines the accuracy of needle-type meters with superior functionality, wide tuning range and a new, sleek vertical design.

Vertical Design and Superior Visibility The Korg OT-120 chromatic band and orchestral tuner is intended for orchestral instruments, packing precise performance and sophisticated functionality in a vertical design that's easy to hold and operate. The Korg OT-120 features a dual-display, an easy-to-see needle-type indicator and a backlit LCD screen that shows the battery life, sound output level, calibration, as well as key and note name. Additional design features include a large dial that makes it easy to select the desired mode, soft-touch buttons and a rear-mounted stand that lets the band and orchestral tuner stand by itself. A sophisticated silver aluminum panel contributes to its sleek, new look.
Accurately Tune Orchestral Instruments Over a Wide Range Since we developed the world's first meter-type tuner in 1975, the accuracy of Korg tuners has made them the choice of artists in all styles of music. With its wide tuning range extending from A0 to C8, the OT-120 lets you quickly tune any type of band instrument including, orchestra, wind, string, brass or piano. The Korg OT-120 also provides a wide range of calibration to support concert pitches in a range of 349-499 Hz (1 Hz steps).
Smooth and Precise Tuning This band and orchestral tuner uses a high-precision needle-type meter to accurately indicate any pitch discrepancy. The speed at which the needle responds to the input can be changed over a range of three steps; you can choose fast, medium or slow speeds to match your tuning preference.
You can also choose from two tuning modes; Auto mode, which automatically detects the pitch of a single note you play on your instrument, or Manual mode, which lets you specify the desired note name. In Manual mode, the needle movement is shown in a range of 50 cents, letting you view the tuning discrepancy over a wide range. In addition to the excellent visibility unique to a needle-type meter, the LEDs located below the meter also indicate pitch deviation or a perfect match, making precise tuning easy even in dim locations.
Sound Back Mode for Tuning String or Wind Instruments The OT-120 produces a reference tone in a five-octave range extending from C2 (65.41 Hz) to C7 (2093 Hz). You can switch the output level in two stages. The large speaker allows for more volume while not being obstructed even when using the stand, ensuring that the reference tone is clearly audible.
The OT-120 also provides Korg's proprietary Sound Back mode. This mode lets you connect an optional CM-100L contact microphone to the input jack, and automatically make the OT-120's speaker produce a reference tone for the note that is closest to the input pitch you play on your instrument. The meter will also indicate the input pitch, letting you tune using your eyes as well as your ears for greater accuracy--and also providing a great way to train your sense of pitch.
Support for Transposing Instruments and Historical Temperaments For conveniently tuning any wind instrument, twelve types of transposing keys are provided in this band and orchestral tuner, including both sharps and flats. The Multi Temperament function provides eight presets that cover the most popular historical temperaments often used with period instruments. These are also ideal for checking unique temperaments used in classical music.
Long Battery Life The OT-120 is designed for an extended battery life of approximately 100 hours when running on two AAA batteries. It can also be used with an AC adaptor (sold separately).
Soft Case Included A durable, suede-tone soft case is included. Korg band and orchestral tuners purchased from a Korg USA authorized dealer now have a three year warranty.
What's in the Box Korg OT-120 Orchestral Tuner, Soft Case, Two AAA Batteries, Owner's Manual

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Korg TM-40 Large Display Digital Tuner and Metronome Review

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(More customer reviews)This tuner/metronome is very well built and has a 12 note refrence. It works very well with my violin and I carry it with me to class and when I practice. The metronome has a loud beat. The tuner is loud so you can hear it over what you are playing. It has a large screen and is very easy to use. I recommend this to anyone that plays a string instrument.

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